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If you’re the kind of person that needs a myth to notify literal, straight-forward hump from A to B, (like the person who wrote the Amazon.com review) then this isn’t for you. But if you devour abstract ideas and subjective story-lines initiate for interpretation, especially thought-provoking stories that pose existential questions, then you’ll bask in Ergo Proxy.
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According to Amazon’s reviewer, “Ergo Proxy will appeal to viewers who favor violent action over coherent storytelling and credible characters.” I don’t seize a dreadful amount of violent action. The series is arguably dreary, actually. Whoever wrote the amazon.com review missed the point, many times over. The 3 episodes that the Amazon.com review sited as “pointless fantasies” are actually the battles with different proxies in their respective cities: beating the game present was defeating a proxy, discerning fantasy from reality in “Ophelia” was defeating a proxy, etc.
As far as copying from Evagelion, I sight no similarities. And the only thing that can be accused of copying from Ghost in The Shell is the robots becoming self-aware due to the Cogito Virus. But that belief is in no contrivance modern to Ghost in the Shell. How many sci-fi stories deal with the plan of robots becoming self-aware? Besides, “Cogito” is fragment of the Latin phrase “Cogito ergo sum” or “I deem, therefore I am.” I judge, contemplate, that Descartes was an antecedent to Ghost in the shell, but don’t quote me.
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Everyone is entitled to an thought, and some people luxuriate in the literal, while others enjoy the subjective. And that’s lovely, of course; this series isn’t going to please everyone. But the points made against Ergo Proxy in the Amazon.com review are unfair and mistaken.
By the draw, the art is rather nice, too. Cyberpunktastic.
I cannot say enough about the style of the animation itself, as it is the most blooming looking series I have ever watched, seamlessly blending computer generated effects with more stale techniques.
The legend is moderately complicated and many of details of what is going on are saved for the final few episodes. The series is carried through these long periods by revealing to the viewer objective enough information over the course of the series that, with each episode, it does feel as though the answers to the mysteries of the seemingly unassuming protagonist are coming into focus. I would not say that the residence is confusing, as it is largely straight forward narrative of Vincent Law’s pace across a post-apocalyptic Earth. The clues to resolving the mysteries of: (i) who Vincent really is (ii) how the world came to be in its recent residence and (iii) the changes that are coming and Vincent’s role in those changes, these simply are revealed at a expressionless and deliberate skedaddle.
What propels the series through, however, is a combination of the clever writing and the characters of the three leads, Vincent Law, Re-L Mayer and the android child Pino. Of the three, debates continue as to which is the best of the three. For me personally, it’s the surprising choice of the contented android Pino. Re-L is a conclude second though if only because she cuts such a strong and unlit figure on the camouflage, in a map typically reserved for male characters.
As for the writing, there were several moments where the space devices caused me to want to roll my eyes (like an episode that entirely comprised exposition, told in the compose of a unique game prove which the characters glean themselves enthusiastic with, or an episode that consists entirely of them waiting for the wind to propel their slight ship) . In the ruin, though (and perhaps in fraction because I was so ready to dismiss these devices) I could not assist but appreciate the plot the writers bent what seemed potentially slow into something luscious. The writers also are very profitable at connecting seemingly random moments into the grander legend in a meaningful and affecting plan.
If you loathe movies like Memento (which require you to rethink events previously viewed in light of subsequently revealed information) or if you cannot occupy with character driven stories, this is not the series for you. It is not action heavy, and what action there is generally is not crucial to the overall myth.
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